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SAS Certified Associate: Programming Fundamentals Using SAS 9.4

  • Exam Number/Code : A00-215
  • Exam Name : SAS Certified Associate: Programming Fundamentals Using SAS 9.4
  • Questions and Answers : 213 Q&As
  • Update Time: 2019-01-10
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NEW QUESTION: 1
푸시 알림을 위해 Amazon SNS Mobile Push를 활용할 새로운 모바일 애플리케이션을 개발하는 회사에 AWS 컨설팅 서비스를 제공하고 있습니다. 개별 장치에 직접 알림 메시지를 보내려면 각 장치 등록 식별자 또는 토큰을 SNS에 등록해야 합니다. 그러나 개발자는 이를 수행하는 가장 좋은 방법을 모릅니다.
당신은 그들에게 조언합니다 :
A. CreatePlatformEndPoint API 함수를 호출하여 여러 장치 토큰을 등록하십시오.
B. 푸시 알림 서비스 (예 : Amazon Device Messaging)가 등록을 처리하도록합니다.
C. AWS Management Console을 통해 CSV 파일에 포함 된 디바이스 토큰을 대량 업로드합니다.
D. 등록을 처리하기 위해 토큰 자동 판매 서비스를 구현하십시오.
Answer: A
Explanation:
https://docs.aws.amazon.com/sns/latest/dg/mobile-push-send-devicetoken.html

NEW QUESTION: 2
A report author creates an expression using the closingPeriod function to return the latest month found in the data source, and names the expression "Current Month". What can the report author do with "Current Month"?
A. Use it to replace the lastPeriods(1,[Month]) expression currently in the report.
B. Use it to determine the current quarter: parent([Current Month]).
C. Add it to an expression to find the current member for the Month level.
D. Use it as a report expression to display the current month in the page header of the report.
Answer: B

NEW QUESTION: 3
Art is visible. However, everything one sees is filtered through certain conditions, some of them historical, and others, natural. The historical conditions include the material, which is used - oil, colors, and the canvas; second, a certain style, i.e., a system of rules by which things visible are submitted a priori. There can be a general style, for example, the style of Impressionism, or a particular style, for example, the individual ways in which two painters, both impressionists, paint. The natural conditions include certain unchanging psychological laws of sight, for instance, the effects of colors or optical illusions.
The conditions of art are nothing but a particular way of interpreting reality. To understand this, one can examine the difference between the classical Greek and the classical Egyptian styles. For the Greeks, the reality of the visible was given by the perspective and the situation in which the object appears; for that reason, they presented a person in his individual movements. For the Egyptians, however, this was only the appearance of a transitory moment, which, according to their beliefs, was not real. Therefore, the Egyptians searched for the permanent essence and the typical character in their depiction of an object. For the Egyptians, Greek art was an illusion; for the Greeks, on the other hand, Egyptian art was unrealistic constructivism.
The way in which reality appears in art must not be regarded on its own. It is affected by many other systems of recognizing reality, including the political, religious, economic, intellectual, and social - in short, all the phenomena of human life. Moreover, art is always of a certain epoch, with its particular conception of reality. Thus, when discussing, for example, the art of ancient myth, of medieval Christianity, or that of the technological age, one must be aware that myth, Christianity, or technology was the most salient feature of the epoch.
It is paradoxical to understand art as some kind of copy of the fields of experience connected with it. So, for example, it is meaningless for the work of art as such if one compares the landscape of a painting with the landscape, which served the artist as his model. Even if the artist had tried to make what he painted as similar as possible to the model he used, the landscape which he saw is only the matter from which something completely different emerges since he has submitted its view to the a priori conditions of art:
namely to the material used (colors, canvas, etc.), to his style, and even to the fact that he paints on a flat surface. Thus one must contemplate a work of art by itself. Even if it is connected to other fields of experience it nevertheless displays something unique which appears in that piece of art and there alone.
By asserting that art is filtered through certain conditions (line???), the author suggests which of the following?
A. The way in which reality appears in art is influenced by other systems of recognizing reality, including the political, religious, economic, intellectual, and social
B. The way in which reality appears in art influences other systems of recognizing reality, including the political, religious, economic, intellectual, and social
C. Even if the artist tried to make what he painted as similar as possible to the model he used, the landscape would be affected by many other systems of recognizing reality
D. Even if the artist tried to make what he painted as similar as possible to the model he used, it would be impossible to critique it
E. Even if the artist tried to make what he painted as similar as possible to the model he used, he would not succeed
Answer: A
Explanation:
Explanation/Reference:
Explanation:
The best answer is E.
The author states in paragraph three that the way in which reality appears in art is affected by many other systems of recognizing reality including the political, religious, economic, intellectual, and social - in short, all the phenomena of human life.